This art history video discussion looks at Laszlo Moholy-Nagy's "Composition A.XX", 1924, oil on canvas, 135.5 x 115cm (Musee national d'art moderne, Centre Georges Pompidou, Paris).

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This art history video discussion examines Sir Frederic Leighton's "An Athlete Wrestling with a Python", 1877, bronze, 1746 x 984 x 1099 mm (Tate Britain, London).

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This art history video discussion examines Leonardo da Vinci's "Adoration of the Magi", 1481, oil on panel (Galleria degli Uffizi, Florence).

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This art history video discussion examines Leonardo da Vinci's, Last Supper, oil, tempera, fresco, 1495-98 (Santa Maria delle Grazie, Milan).

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This art history video discussion examines Leonardo da Vinci's "The Virgin and Child with St Anne and St John the Baptist" (Burlington House Cartoon), 1499-1500, charcoal and chalk on paper, c. 1499-1500 (National Gallery, London).

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This art history video discussion examines Leonardo da Vinci's The Virgin of the Rocks, c. 1491-1508, oil on panel, National Gallery (London).

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This art history video discussion examines Roy Lichtenstein's "Rouen Cathedral Set V", 1969, oil and magna on canvas, 3 canvases (SFMOMA).

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This art history video lecture examines Ambrogio Lorenzetti's "Presentation of Jesus in the Temple", 1342, tempera on panel, (Galleria degli Uffizi, Florence).

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This art history video discussion examines Lucas Cranach the Elder's "Judith with the Head of Holofernes", c. 1530, oil on panel (Kunsthistorisches Museum, Vienna).

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This art history video discussion examines Lucas Cranach the Elder's "Cupid complaining to Venus", c. 1525, oil on wood (The National Gallery, London).

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This art history video discussion examines Lucian Freud's "Standing by the Rags" 1988-89, oil on canvas (Tate Britain, London).

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In this art history video discussion Beth Harris and Steven Zucker look at the "Ludovisi Battle Sarcophagus: Battle of Romans and Barbarians," c. 250-260 C.E., preconneus marble. Palazzo Altemps: Museo Nazionale Romano, Rome. This sarcophagus, also known as the Great Ludovisi sarcophagus (or the Via Tiburtina Sarcophagus), is thought to be a memorial to the wars between the Ostrogoths and Imperial Romans then taking place. It was found in 1621 and named after Ludovico Ludovisi, its initial modern owner.

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This art history video discussion examines Rene Magritte's "The Treachery of Images" (Ceci n'est pas une pipe), 1929 (LACMA).

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This art history video discussion examines Edouard Manet's "Corner of a Cafe-Concert", 1878-80 (National Gallery, London).

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This art history video discussion examines Edouard Manet's "Emile Zola" 1868, oil on canvas (Musee d'Orsay, Paris). This portrait was painted in appreciation for the support Zola gave to Manet in his 1866 essay in La Revue du XXe siecle and during Manet's independent exhibition held along side the Universal Exposition in 1867.

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This art history video discussion examines Edouard Manet's "In the Conservatory", 1878-1879, oil on canvas (Alte Nationalgalerie, Staatliche Museen zu Berlin).

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This art history video discussion examines Edouard Manet's "Le Dejeuner Sur L'herbe" (Luncheon on the Grass), oil on canvas, 1863 (Musee d'Orsay, Paris).

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This art history video discussion examines Edouard Manet's "The Balcony", 1868-69, oil on canvas, (Musee d'Orsay, Paris). The three principal figures depicted are each a friend of the artist. From left to right they are: the painters Berthe Morisot and Jean Baptiste Antoine Guillemet, and Fanny Claus, a violinist. Some have suggested that the fourth figure, barely visible in the shadows, is the young Leon Leenhoff, the son of Manet's wife.

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This art history video discussion examines Andrea Mantegna's "Dead Christ", tempera on canvas, c. 1490 (Pinacoteca di Brera, Milan).

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This art history video discussion examines Andrea Mantegna's "Saint Sebastian", oil on wood panel, ca. 1456-59 (Kunsthistorisches Museum, Vienna).

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