This art history video discussion looks at Winslow Homer's "The Fog Warning (Halibut Fishing)", 1885, oil on canvas, 30-1/4 x 48-1/2 inches / 76.83 x 123.19 cm (Museum of Fine Arts, Boston).

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This art history video discussion looks at Winslow Homer's "The Life Line", 1884, oil on canvas, 28-5/8 x 44-3/4 inches / 72.7 x 113.7 cm (Philadelphia Museum of Art).

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This art history video discussion looks at Edward Hopper's "Nighthawks", 1942, oil on canvas, 84.1 x 152.4 cm / 33-1/8 x 60 inches (The Art Institute of Chicago).

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This art history video discussion looks at a "House Altar" depicting Akhenaten, Nefertiti and Three of their Daughters, limestone, New Kingdom, Amarna period, 18th dynasty, c.1350 BCE (Agyptisches Museum/Neues Museum, Staatliche Museen zu Berlin).

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This art history video discussion looks at Jan (and Hubert?) Van Eyck's "Ghent Altarpiece or The Adoration of the Mystic Lamb", tempera and oil on panel, (closed panels), Cathedral of Saint Bavo, Ghent, Belgium, completed 1432. Second Life correspondents Max Newbold and Sez Zabelin, discuss the closed Ghent Altarpiece (see the next video for a discussion of the open altarpiece) on the Vassar campus in Second Life.

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This art history video is the second part of the discussion about Jan (and Hubert?) Van Eyck's "Ghent Altarpiece or The Adoration of the Mystic Lamb", tempera and oil on panel, (open panels), Cathedral of Saint Bavo, Ghent, Belgium, completed 1432.

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This art history video discussion examines William Holman Hunt's "Claudio and Isabella", 1850, oil on mahogany (Tate Britain). From William Shakespeare's Measure for Measure, Act III, scene 1 (a room in a prison).

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This art history video discussion looks William Holman Hunts "Our English Coasts ('Strayed Sheep')", 1852, oil on canvas, 432 x 584 mm (Tate Britain, London).

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This art history video discussion looks William Holman Hunt's "The Awakening Conscience", 1853, oil on canvas, 762 x 559 mm (Tate Britain, London).

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This art history video discussion looks at an "Icon of the Triumph of Orthodoxy (Byzantine)", c. 1400, tempera and gold on wood, 39 cm x 31 cm (British Museum, London).

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This art history video discussion looks at Giacomo Barozzi da Vignola & Giacomo della Porta's "Church of Il Gesù", consecrated 1584, Rome; and Giovanni Battista Gaulli's (also known as il Baciccio) "The Triumph of the Name of Jesus", Il Gesù ceiling fresco, 1672-1685.

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This art history video discussion examines the "Mihrab" (prayer niche), 1354--55 (A.H. 755), just after the Ilkhanid period, Isfahan, Iran, polychrome glazed tiles, 135-1/16 x 113-11/16 inches / 343.1 x 288.7 cm (Metropolitan Museum of Art, New York).

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Students analyze archival material such as photos, documents, and posters, to understand the who was involved in constructing, and the lasting phenomenon of, the Transcontinental Railroad.

This art history video discussion looks at Marcel Duchamp's "In Advance of a Broken Arm", 1964 (fourth version, after lost original of November 1915) (MoMA).

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How shall we judge the contributions to American society of the great financiers and industrialists at the end of the nineteenth and beginning of the twentieth centuries? In this lesson, students explore a variety of primary historical sources to uncover some of the less honorable deeds as well as the shrewd business moves and highly charitable acts of the great industrialists and financiers, men such as Andrew Carnegie, J. Pierpont Morgan, John D. Rockefeller, and Cornelius Vanderbilt.

About a century has passed since the events at the center of this lesson-the Haymarket Affair, the Homestead Strike, and the Triangle Shirtwaist Factory Fire. In this lesson, students use primary historical sources to explore some of the questions raised by these events, questions that continue to be relevant in debates about American society: Where do we draw the line between acceptable business practices and unacceptable working conditions? Can an industrial-and indeed a post-industrial-economy succeed without taking advantage of those who do the work?

This art history video discussion examines Ingres's "La Grande Odalisque", 1814, Oil on canvas, 36" x 63" (91 x 162 cm), (Musee du Louvre, Paris).

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This art history video discussion looks at Jean-Auguste-Dominique Ingres, Princesse de Broglie, oil on canvas, 1851–53 (The Metropolitan Museum of Art).

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This art history video discussion looks at Jean-Auguste-Dominique Ingres's "Raphael and the Fornarina", 1814, Oil on canvas (Fogg Art Museum).

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