Students launch the second unit with a Build Background Knowledge protocol, reading short informational texts and examining visual art to further develop their sense of the social and political context of the Harlem Renaissance. They explore the context of the Harlem Renaissance, noting how the Harlem Renaissance occurred during the Great Migration, Jim Crow laws, and the racial violence of post-Civil War America. Students read two short stories, “His Motto” by Lottie Burrell Dixon and “The Boy and the Bayonet” by Paul Laurence Dunbar. Students explore character, plot, setting, theme, language, and point of view in these short stories. Additionally, students discuss how both stories develop themes about working hard to achieve dreams and how community helps to bring out our best selves. For the mid-unit assessment, students examine the third part of “The Boy and the Bayonet” for how particular elements of a story interact and how the author develops and contrasts the points of view of different characters.

In the second half of the unit, students continue to explore the context of the Harlem Renaissance by analyzing how the theme of looking to the past for strength and hope connects examples of its artwork and text. Students begin this work by examining a model literary argument essay, discussing how three pieces of work from the Harlem Renaissance are connected by this theme. Next, students study the introduction, Proof Paragraphs, and conclusion of the model literary argument essay as they work collaboratively to plan and write their own pair literary argument essay. This pair essay explores the theme of how collaboration and community bring out the best in people. In the end of unit assessment, students independently write their own literary argument essay about how three works from the Harlem Renaissance are connected by the theme of dreams giving life meaning and purpose.

Learn about the rise of mass media and the popularity of the short story in this video [4:07] from the American Masters film Edgar Allan Poe: Buried Alive. Poe wrote more than seventy short stories and created his own set of rules for the genre. He is also credited as one of the first literary critics of American literature and the creator of detective fiction. Engage students with discussion questions, teaching tips, and a handout for the study of Poe's opening sentences, his way of grabbing the attention of readers.

This is an online photocopy of the original text of the children's book Spring-Time Stories for Language Lessons by L. N. Fredericks (1883), short stories with blanks and pictures to help students learn the language.

This site has the complete text of James Joyce's collection of short stories, "Dubliners."

Using the landmark feminist short story "The Yellow Wall-paper," students will employ close reading concepts to analyze setting, narrative style, symbol, and characterization.

Charlotte Perkins Gilman's story "The Yellow Wall-paper" was written during atime of change. This lesson plan, the first part of a two-part lesson, helps to set the historical, social, cultural, and economic context of Gilman's story.

A very comprehensive site that includes a biographical sketch, several texts of Borges'poems, short stories and essays and, critical essays on his works.

James Joyce's 1914 collection of short stories is introduced and links are provided to the full texts of "The Dead" and other innovative classics by the author of Ulysses.

We are naturally curious about the lives (and deaths) of authors, especially those, such as Edgar Allan Poe and Ambrose Bierce, who have left us with so many intriguing mysteries. But does biographical knowledge add to our understanding of their works? And if so, how do we distinguish between the accurate detail and the rumor; between truth and exaggeration? In this lesson, students become literary sleuths, attempting to separate biographical reality from myth. They also become careful critics, taking a stand on whether extra-literary materials such as biographies and letters should influence the way readers understand a writer's texts.

The 11th grade learning experience consists of 7 mostly month-long units aligned to the Common Core State Standards, with available course material for teachers and students easily accessible online. Over the course of the year there is a steady progression in text complexity levels, sophistication of writing tasks, speaking and listening activities, and increased opportunities for independent and collaborative work. Rubrics and student models accompany many writing assignments.Throughout the 11th grade year, in addition to the Common Read texts that the whole class reads together, students each select an Independent Reading book and engage with peers in group Book Talks. Students move from learning the class rituals and routines and genre features of argument writing in Unit 11.1 to learning about narrative and informational genres in Unit 11.2: The American Short Story. Teacher resources provide additional materials to support each unit.

In this unit, students will take a look at the historical vision of the American Dream as put together by our Founding Fathers. They will be asked: How, if at all, has this dream changed? Is this dream your dream? First students will participate in an American Dream Convention, acting as a particular historical figure arguing for his or her vision of the American Dream, and then they will write an argument laying out and defending their personal view of what the American Dream should be.

ACCOMPLISHMENTS

Students read and annotate closely one of the documents that they feel expresses the American Dream.
Students participate in an American Dream Convention, acting as a particular historical figure arguing his or her vision of the American Dream.
Students write a paper, taking into consideration the different points of view in the documents read, answering the question “What is the American Dream now?”
Students write their own argument describing and defending their vision of what the American Dream should be.

GUIDING QUESTIONS

These questions are a guide to stimulate thinking, discussion, and writing on the themes and ideas in the unit. For complete and thoughtful answers and for meaningful discussions, students must use evidence based on careful reading of the texts.

What has been the historical vision of the American Dream?
What should the American Dream be? (What should we as individuals and as a nation aspire to?)
How would women, former slaves, and other disenfranchised groups living during the time these documents were written respond to them?

BENCHMARK ASSESSMENT: Cold Read

During this unit, on a day of your choosing, we recommend you administer a Cold Read to assess students’ reading comprehension. For this assessment, students read a text they have never seen before and then respond to multiple-choice and constructed-response questions. The assessment is not included in this course materials.

In this lesson, students will share their work with their classmates and celebrate their accomplishments.

In this short unit, students will spend three lessons exploring the importance of themes and main ideas in fiction and informational texts.  Now would be a good time to have them take an assessment of their reading and writing skills. They'll explore theme through O. Henry's classic short story  "The Gift of the Magi" and consider how this piece compares to the main idea in the article "The Proven Power of Giving, Not Getting."

In this unit, students will explore great works of American literature and consider how writers reflect the time period in which they write. They will write two literary analysis papers and also work in groups to research and develop anthologies of excellent American stories.

ACCOMPLISHMENTS

Students read and analyze stories from several 19th-, 20th-, and 21st-century American authors. After researching a time period, they select stories from that period to create an anthology. The readings enhance their understanding of the short story, increase their exposure to well-known American authors, and allow them to examine the influence of social, cultural, and political context.
Students examine elements of short stories and have an opportunity for close reading of several American short stories. During these close readings, they examine the ways that short story writers attempt to explore the greater truths of the American experience through their literature.

GUIDING QUESTIONS

These questions are a guide to stimulate thinking, discussion, and writing on the themes and ideas in the unit. For complete and thoughtful answers and for meaningful discussions, students must use evidence based on careful reading of the texts.

If you were to write a short story about this decade, what issues might you focus on?
What defines a short story? Just length?
To what extent do these stories reflect the era or decade in which they were written?
To what extent are the themes they address universal?

CLASSROOM FILMS

History.com has short videos on the Vietnam War (“Vietnam” and “A Soldier's Story”).

In this lesson, students will continue their analytical essays with a focus on the writing process. They will use the writing group protocol to bring structure to their peer editing groups.

In this lesson, students will begin to learn about the American short story. They will have an opportunity to practice close reading, and they'll explore the qualities of the short story genre through Quick Writes and discussion.

In this lesson, students will examine Cheever's use of symbol and motif in his story. They will also expand their ideas through writing and share their understanding of the story.

In this lesson, students will revisit the American Dream in Unit 1. In pairs, they will find images and slogans to use as the basis for a collage that represents their view of the American Dream.

In this lesson, students will begin the short story “The Swimmer.” As an introduction to the story, they will also read the myth “Echo and Narcissus,” considering Narcissus as a way to view the protagonist of “The Swimmer.”