This lesson is focused on analyzing the anti-slavery movement and David Ruggles’ impact shaping our understanding of slavery and race. Students will explore texts such as "The Disappointed Abolitionists", but also the first magazine-like publication owned and edited by a Black man in this country, "The Mirror of Liberty". To further evaluate perspective, students study a Black Future with the story of "Appolition". They will then develop and present a group concept for a speculative statue of an abolitionist of the future, reflecting on the significance of symbols and elements in shaping our understanding of historical events and their lasting impact.

Estimated time required: 1-2 class periods.

Technology required for this lesson: Augmented Reality, Internet Connectivity, Laptop/Desktop, Smartphone, Tablet, Tablet or Smartphone.

This lesson plan, students will analyze a photo of Seneca Village and the excavation report to determine the central ideas and information about the village. They participate in a collaborative discussion about the connections between the text Color(ed) Theory by Ananda Williams, Seneca Village, and gentrification. They also research a local Black enclave and present their findings. As an extension, they speculate about the future of enclaves.

Estimated time required: 1-2 class periods.

Technology required for this lesson: Augmented Reality, Internet Connectivity, Laptop/Desktop, Smartphone, Tablet, Tablet or Smartphone.

After meeting the requirements of Unit 1, students will be able to: Understand the basics of using a drum sequencer in a virtual music production setting. Understand the basics of drum notation and how it can be transferred into a drum sequencer. Understand simple rhythmic concepts as they relate to music. Use basic rhythmic tools including beats, bars and tempo to achieve desired rhythmic concepts in basic music compositions. Edit and sonically manipulate MIDI drum sounds as the basis for music creation. Become familiar with genres from their own and cultures of others. Become familiar with the basic uses of drum machines in a variety of genres. Critically analyze and write self-reflective narratives on their perceptions of their own work as composer/producers and the creative works of others.

Estimated time required: 1-2 class periods.

Technology required for this lesson: Laptop/Desktop, VR Headset (Optional).

In this lesson students learn a basic west african drum groove (as this music is the root of most pop, rock, hiphop, jazz and latin music internationally and is still played today) and how to transfer this to the sequencer from standard notation.

Estimated time required: 1-2 class periods.

Technology required for this lesson: Laptop/Desktop, VR Headset (Optional).

Here, students are introduced to music and instrumentation from MesoAmerica, Africa and America.

Estimated time required: 1-2 class periods.

Technology required for this lesson: Laptop/Desktop, VR Headset (Optional).

Here, students are provided with links to music for directed listening. They are encouraged to write and reflect, with prompts and prompting questions, to the music they hear.

Estimated time required: 1-2 class periods.

Technology required for this lesson: Laptop/Desktop, VR Headset (Optional).

This lesson is similar to a capstone-type project where students begin and present (if possible) their own self-produced beats. They are encouraged to write about their experience.

Estimated time required: 1-2 class periods.

Technology required for this lesson: Laptop/Desktop, VR Headset (Optional).

This art history video discussion examines The Paris Opera (1860-75) by architect Charles Garnier.

Khan Academy learning modules include a Community space where users can ask questions and seek help from community members. Educators should consult with their Technology administrators to determine the use of Khan Academy learning modules in their classroom. Please review materials from external sites before sharing with students.

World War II ration memorabilia collection, 1942-1947.

The Office of Price Administration and Civilian Supply was established by Presidential Executive Order 8734 on April 11, 1941, in an effort to control inflation. The civilian supply function of the agency was transferred to the Office of Production Management in August of 1941 and the name was shortened to the Office of Price Administration (OPA). The Emergency Price Control Act (January 30, 1942) established the purposes of the agency as follows: to stabilize prices and rents and prevent unwarranted increases in them; to prevent profiteering, hoarding and speculation; to assure that defense appropriations were not dissipated by excessive prices; to protect those with fixed incomes from undue impairment of their living standards; to assist in securing adequate production; and to prevent a post-emergency collapse of values." The OPA fixed price ceilings on all commodities except farm products and controlled rents in defense areas. The first rationing program, for automobile tires, was initiated December 27, 1941. There were two types of rationing programs. The first was a certificate program, where an applicant had to meet eligibility standards and show need to a local ration board before receiving a certificate permitting purchase of the rationed item. This type of program was applied to ties, automobiles, typewriters, bicycles, rubber footwear and stoves. The second program was a coupon or stamp type for which all civilians were eligible. These programs were administered through local banks and covered foods, fuel oil, gasoline and shoes. Rationing continued throughout World War II and by the end of November 1945 only the sugar and rubber tire rationing programs remained. Tire rationing ceased on December 31, 1945. Sugar rationing continued until June 11, 1947. The Office of Price Administration was dissolved April 1, 1947.

This art history video discussion examines Antoni Gaudi's Church of the Sagrada Familia or Basilica i Temple Expiatori de la Sagrada Familia Basilica, 1882- (consecrated 2, but still under construction), Barcelona, Spain.

Khan Academy learning modules include a Community space where users can ask questions and seek help from community members. Educators should consult with their Technology administrators to determine the use of Khan Academy learning modules in their classroom. Please review materials from external sites before sharing with students.

This art history video discussion examines Paul Gauguin's "Nevermore", 1897, oil on canvas (Courtauld Gallery, London).

Khan Academy learning modules include a Community space where users can ask questions and seek help from community members. Educators should consult with their Technology administrators to determine the use of Khan Academy learning modules in their classroom. Please review materials from external sites before sharing with students.

This art history video discussion examines Paul Gauguin's "The Red Cow", 1889, oil on canvas (LACMA).

Khan Academy learning modules include a Community space where users can ask questions and seek help from community members. Educators should consult with their Technology administrators to determine the use of Khan Academy learning modules in their classroom. Please review materials from external sites before sharing with students.

Lesson 6 is an introduction to George Clinton, a prominent figure in funk music and Afrofuturism. It consists of three activities: a 5-minute engagement activity where students watch clips about George Clinton, a 15-minute exploration activity where students examine artifacts related to him, and a 5-minute wrap-up activity where students discuss their takeaways and similarities between George Clinton and Sun Ra. The next lesson will focus on exploring George Clinton's music and the landing of the Mothership.

Estimated time required: 1-2 class periods.

Technology required for this lesson: Augmented Reality, Internet Connectivity, Laptop/Desktop, Smartphone, Tablet, Tablet or Smartphone.

This art history video discussion examines Theodore Gericault's "Raft of the Medusa", oil on canvas, 193 x 282 inches, 1818-19 (Musee du Louvre, Paris).

Khan Academy learning modules include a Community space where users can ask questions and seek help from community members. Educators should consult with their Technology administrators to determine the use of Khan Academy learning modules in their classroom. Please review materials from external sites before sharing with students.

This art history video discussion examines Alberto Giacometti's "Palace at 4am", wood, glass, wire and string, 1932 (MoMA).

Khan Academy learning modules include a Community space where users can ask questions and seek help from community members. Educators should consult with their Technology administrators to determine the use of Khan Academy learning modules in their classroom. Please review materials from external sites before sharing with students.

This art history video lecture Dr. Beth Harris and Dr. Steven Zucker discuss Giorgione's "The Tempest" c. 1506-8. At the Accademia in Venice.

Khan Academy learning modules include a Community space where users can ask questions and seek help from community members. Educators should consult with their Technology administrators to determine the use of Khan Academy learning modules in their classroom. Please review materials from external sites before sharing with students.

In this Smarthistory art history video Dr. Beth Harris and Dr. Steven Zucker discuss Giorgione's "Three Philosophers", c. 1506. At the Kunsthistorisches Museum, Vienna.

Khan Academy learning modules include a Community space where users can ask questions and seek help from community members. Educators should consult with their Technology administrators to determine the use of Khan Academy learning modules in their classroom. Please review materials from external sites before sharing with students.

This art history video discussion looks at Giotto di Bondone's St. Francis of Assisi Receiving the Stigmata with predella scenes of the Dream of Innocent III, The Pope Approving the Rule of the Order, and St. Francis Preaching to the Birds, c. 1295-1300 (originally, Church of San Francesco, Pisa), tempera and gold on panel, 3.13 x 1.63m, original frame inscribed: "OPUS IOCTI FIORETINI".

Khan Academy learning modules include a Community space where users can ask questions and seek help from community members. Educators should consult with their Technology administrators to determine the use of Khan Academy learning modules in their classroom. Please review materials from external sites before sharing with students.

This art history video discussion examines Giotto's "The Ognissanti Madonna", 1306-10, tempera on panel, 128 x 80 1/4" (325 x 204 cm). Painted for the Church of Ognissanti, Florence.

Khan Academy learning modules include a Community space where users can ask questions and seek help from community members. Educators should consult with their Technology administrators to determine the use of Khan Academy learning modules in their classroom. Please review materials from external sites before sharing with students.

This art history video discussion examines Giotto's "The Lamentation", c. 1305 (Arena Chapel, Padua).

Khan Academy learning modules include a Community space where users can ask questions and seek help from community members. Educators should consult with their Technology administrators to determine the use of Khan Academy learning modules in their classroom. Please review materials from external sites before sharing with students.